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Because it's designed for solo, run-and-gun filmmaking, the FX3 also has in-body image stabilization (IBIS) along with an electronic Active Mode, which gives you even stronger stabilization at the expense of a 10% crop. A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilization Shot of user rotating movie camera with mic, wind screen and external monitor, on tripod against low sun x USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.
Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh, and cinematic freedom made possible with a full-frame sensor. Cinematic color science of S-Cinetone™ ISO Sensitivity [Movie]: ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit) ix Not guaranteed to be 100% dust and moisture proof. The XLR handle does not feature a dust and moisture resistant design As the latest addition to Sony's Cinema Line, the FX3 delivers a cinematic look and professional operability and reliability in a camera that is accessible to early-career creators, as well as suitable to be used alongside Sony's VENICE, FX9 and FX6 cameras. The new model provides outstanding image quality and usability for small scale and one-person shooting. The FX3 boasts industry-leading autofocus capabilities, 5-axis in-body image stabilization with Active mode v, handheld shooting design and advanced heat dissipation for extended recording times. All this is combined in a compact, lightweight body that provides the performance and mobility to meet the growing demands of today's content creators.
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Cameras designed for vlogging should be easy to carry and operate, and the ZV-E1 hits the mark. It’s Sony’s smallest and lightest full-frame camera with in-body image stabilization, with a similar form factor to the Sony A7C, which includes a decent grip and a plastic but durable body. There’s also the dumbed-down button layout of other Sony ZV cameras, which includes a defocus button and photo/ video/ S&Q mode switch. S-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading. 4K 120fps with every frame in focus And let’s not forget that video-focused cameras like the ZV-E1 can also shoot some of the cleanest-looking still images around (12MP at up to 10fps here), with no limit on sequence length.
In addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.Sony often blazes the innovation trail, and there’s much to be said about the compelling features and powerful performance of the ZV-E1. The number of recordable pictures depends on the memory card size, battery life, picture size and image compression. S-Cinetone™ look profile which is inspired by the digital motion picture camera VENICE’s colour science, also used in FX9 and FX6 Cinema Line cameras, and records up to 4K 120p
Arguably, the APS-C format ZV-E10 makes more sense for on-the-go content creators, not least because it’s a quarter of the price and even smaller, and also because lenses like the 11mm F1.8 are much smaller, lighter and, again, cheaper. You won’t get quite the same image and video quality, and no 4K 60p, but the ZV-E10’s image quality is still a significant cut above that of smartphones.
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Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recording i With its multi-task image processing capabilities, the Venus Engine Plus boasts excellent response time with a shutter release time lag of only 0.006 sec. and a shutter interval of 0.7 sec *. In the burst shooting mode, it is possible to shoot at three frames per second in full resolution **. The DMC-FX3 enables easy capture of those spur-of-the-moment shots. The FX3 also allows unlimited consecutive shooting up to the capacity of your SD/SDHC Memory card ***. Here’s an important difference. ND filters are important to videographers who want to adjust to different light levels without changing the iris setting and hence the ‘look’, and without juggling ISO settings. Neither the A7S III nor the FX3 has ND filters built in, but the FX6 does. 8. Stabilization
Lenses – Should have no marks on the elements andoptically clear. There may be light dust present that will not effect theimagery. All three cameras have the same maximum ISO in expanded mode, but the FX6 has a higher base ISO and dual native ISO technology with base ISO levels at ISO 12,800. It sounds as if the A7S III and FX3 might be using the same basic tech, but that the FX6 has more advanced dual-circuit noise control. 3. Color Panasonic today introduced the new LUMIX 6-megapixel, f/2.8 3x optical zoom (equivalent to 35 mm to 105 mm on a 35 mm film camera) LEICA DC lens DMC-FX3 featuring MEGA O.I.S.(Optical Image Stabilizer) and max. ISO 1600 high sensitivity mode*. Focus mode: [Movie] AF-C, MF [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus The Sony FX3 and Sony A7S III are variants on the same concept – they're both small, 4K full-frame cameras that are particularly strong in low-light and offer highly compact setups for solo shooters.The 3.0-type (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting Beyond the physical design just being compact, it’s also built to maximize efficiency and operability through the inclusion of an articulating 3.0″ touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording. New Cinematic Freedom Please use the latest version of Catalyst Browse or Catalyst Prepare to apply the LUT used for monitoring during shooting to the video during editing. i Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25 deg C (ambient, camera temperature when recording started), Auto power off temperature: High, Cooing fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit)
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