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Lumix menus are logical to navigate and the camera has enough customizable function buttons to limit menu-diving expeditions. Everything you need regularly is at your fingertips except for the USB-C SSD recording option, which is buried in the setup menu. Inexplicably, there’s also no option to add it to shortcuts at the time of writing. That aside, the S5II X is easy to get comfortable with, even for someone who’s never used a Lumix before.
Under the hood the S5 IIX brings enhanced video modes that are better suited to extensive post-production work. The S5II and S5IIX both feature 5-stop in-body image stabilization (IBIS). Handheld, I was able to drop my shutter down to ⅕ sec without any blur from camera shake, which came in useful given the relatively narrow maximum apertures of the 20-60mm kit lens. A new file will be created to continue recording if the file size exceeds the following conditions.Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. The S5 II gains the ability to import LUTs in the industry-standard .cube format (in addition to Panasonic's own .VLT type). It can store up to 10 LUTs and adds the ability to apply the LUT to the footage as you shoot. Doing do means you lose post-processing flexibility, putting greater emphasis on getting exposure and white balance right in-camera, but it lets you achieve the look you want straight out of camera. S5 IIX features The S5 IIX will offer a broader range of video capabilities than any of the other current models, at a lower introductory price than either the Sony or Canon offerings. Panasonic hasn’t made the Lumix S5IIX or S5 quite as small as the original S5, but at 134.3×102.3×90.1mm and 740g (with memory card, hot shoe cover and battery) it’s still significantly smaller and lighter than cameras such as the Panasonic Lumix S1R and S1. The original LUMIX S5 was one of the best mirrorless cameras around, and gained a reputation for being an outstanding video production tool. Both S5II models continue that legacy, featuring similarly powerful specs to appeal to the firmly video-oriented side of the ‘hybrid’ (meaning photo and video capable) mirrorless market. These two cameras, the S5IIX in particular, are not playing around — while many of today’s video-focused hybrids are geared towards vloggers and social media creators, you need only look at the number of resolutions and formats the S5II models offer to realize they’re aimed squarely at filmmakers and hardcore videographers, not TikTokers.
The cameras are built to robust standards for in-field use, with magnesium alloy die-cast front and rear frames and a splash- and dust-resistant 1 construction. Image stabilization has been a staple strength of Lumix cameras since the release of the GH5 and the S5II X raises the bar further still with the inclusion of Active I.S.. Utilizing a combination of upgraded hardware and more intuitive algorithms, the S5IIX anticipates and counteracts the movements associated with walking and holding telephoto lenses. This delivers smoother footage when filming while walking and allows you to handhold shots with uncanny levels of stability. When combined with a compatible lens, like the Lumix S 24-105, which has stabilization built into it, the S5II X can offer up to 6.5 stops of correction. Something the unedited images above demonstrate is the variations in the S5IIX’s internal light metering, an issue I experienced throughout my time testing the camera. Both ISO test shots above were taken in multi-metering mode, using the same setup under fixed artificial lighting with the light meter displaying EV-0, but you can see how dark the first shot is compared to the second. This is problematic where consistency between shots is important. Panasonic Lumix S5IIX review: Video performance Panasonic have today announced the brand new LUMIX S5II and LUMIX S5IIx full-frame mirrorless cameras. What's the difference between the Lumix S5II and S5IIx and what do the two models have in common? Find out below! Panasonic has also improved its image stabilization system, promising a performance twice as effective as in the S5. For its revised system it's adopted the branding 'Active IS,' though it hasn't been very specific about how these improvements have been achieved.This image was shot at ISO 25,600 and is astoundingly clean, even for a full frame camera, and noise smoothing hasn’t reduced everything to a blur. There is some noise on the rear wall and some detail has been lost in the face and gold paint of the statue. But still, the photo looks fantastic for such a high ISO. (Image credit: Tom's Guide) As you’d expect, the S5IIX’s screen preview matches the captured image/video well but as usual, it can be hard to see some details in bright conditions. This makes an external monitor with greater brightness and/or a hood an attractive option in some instances. The Lumix S5IIX’s battery is CIPA rated for 330-shots but, as this is a video-centric camera, we tested battery life for video rather than stills. According to Panasonic, the S5IIX’s battery should last for 90 minutes of continuous recording at 4K/60p with an APS-C crop. In testing, this proved accurate, maybe a little conservative. I shot at 6K/30p full frame for 30 minutes, and then 4K/60p APS-C for 70 minutes, for a total of 100 minutes shooting time. But while that may be slightly better than advertised, battery life is still sub-standard for a camera of this price. The similarly-priced Sony A7IV, for example, has a 580-shot rated battery, while the much, much cheaper Fujifilm X-S20 holds a 750-shot rating. Panasonic Lumix S5IIX review: Verdict Telling the camera the squeeze ratio of your lens also allows the S5 II to adjust its image stabilization system to accommodate the differing effective focal lengths of your vertical and horizontal capture, improving the stabilization performance. LUT-applied shooting
There’s also a clutch of video-centric display options shutter angle, waveform, vectorscope, and histogram. At the heart of the S5 II is a new processing engine that is the first product of Panasonic's L² co-development project with Leica. The two companies shared know-how and resources to develop the new processor, which we'd expect to see in future Leica models, too. MOV] in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. Operating very much like a DSLR, the Panasonic Lumix hybrid mirrorless cameras are absolutely photographers' cameras. The ergonomics will be instantly familiar to those who have moved from the DSLR form factor, with a plentiful supply of buttons, dials and switches that make a smoothly efficient hands-on experience, rather than having to delve continuously into various menus. The S5 was a great camera, the S5 II made many improvements and the S5 II X continues this path, with a hybrid that also extends the video capabilities. The S5 II has already been reviewed and is Highly Recommended and the Lumix S 20-60mm f/3.5-5.6 lens is an Editor's Choice, so let's see how the S5 II X plus the same lens continue with this already well-established path of excellence.The camera delivers up to 6.5 stops of in-body image stabilization meaning you can shoot stills and video in lower light without a tripod. (Image credit: James Artaius) Weighing in at a solid 740g with card and battery, the S5 II X is a well-made, 24MP mirrorless hybrid camera that inspires confidence in its manufacturing quality. It is fairly bulky, mainly due to the extended EVF housing that dominates the top of the camera. Dimensions are 134.3 x 102.3 x 90.1mm. The magnesium alloy chassis is dust and splash resistant, plus freezeproof down to -10C.
The S5 II includes a fan mechanism, to allow video shooting for extended periods. The fan is at the top of the camera, with vents under the leading edge and along the sides of the viewfinder hump, drawing the heat up and out of the camera. As usual, the fan sits outside the body's sealed area, so the vents aren't a weak point for its dust and splash resistant design. The LUMIX S5IIX features a 24.2MP full-frame sensor. If you are shooting stills, 24MP delivers highly detailed shots, with enough resolution for moderate cropping and for online display or small-to-medium-sized prints.Despite the familiar appearance, a lot has been redesigned or reworked. The most significant change is the addition of the fan to the camera's viewfinder hump. This is central to the camera's promises of video endurance, but is designed not to undermine the body's weather sealing. Motion pictures with 200Mbps or less: External USB-SSD, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
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